By Sarah Quinless The EDMS programme was first created in 2019 with the aim of increasing female representation in management and leadership positions in the independent distribution sphere. While the sector otherwise maintains an equal balance of genders, with women very well represented in acquisitions, sales, programming, communication, press, marketing and legal affairs, this…
arthaus
Releasing documentaries in times of pandemic. Europa Distribution’s Case Studies at IDFA 2021
By Jesús Silva After the hiatus imposed by the pandemic in 2020, which led to the cancellation of many professional meetings and events in the film industry, Europa Distribution came back to IDFA for the third time this year, renewing its partnership with the Festival’s Industry Talk programme. On November 22nd, some of the…
The “new normal” for independent film distribution. Europa Distribution in San Sebastian
By Isabella Weber Things change and practices evolve in all businesses, and the pandemic seems to have pushed the accelerator extra hard for the film industry. After almost two years of co-existence with Covid-19, it is clear that many things we were used to will not go back to being just as “before” and…
The Marché du Film and the European independent distributors
By Davide Abbatescianni Cannes’ Marché du Film has always been an event of crucial importance for the whole international film industry. After the cancellation of the 2020 festival and the huge disruption caused by the COVID-19 pandemic, the 2021 edition of the world’s largest film market is a much-anticipated opportunity for distributors, sales agents,…
Interview with Svend Jensen, CEO of Arthaus, Norway
By Frances Harvey In Norway, cinemas were closed on the 12th March due to COVID-19, but it was one of the first markets to ease restrictions. We spoke to Arthaus CEO, Svend Jensen as the cinemas in Norway were beginning to reopen. How would you describe Arthaus’s line-up, do you have a particular…
MEDIA programme: A success story for European film distribution
by Isabella Weber Ever since its creation in 1991 the MEDIA programme has pursued the objective of increasing the circulation of European films within and beyond Europe. The reason is simple: such films have the ability of carrying the values of the European cultural identity. When in 2014 the programme was reshaped under the Creative Europe…
European Distribution : Focus on Scandinavia
by Birgit Heidsiek Spotlight on Scandinavia: All about audience access for arthouse films Since decades, the Scandinavian countries have had the highest number of average admissions in Europe. Although the Icelanders don’t go thirteen times per year anymore to the cinema as they used to do it in the early 1980’s, the insular…
