Interview with Thomas Verkaeren, General Manager of O’Brother, BENELUX

By Joachim Soudan   Thomas Verkaeren, O’Brother‘s General Manager, discusses for us a line-up built on taking care of specific Belgian producers’ films rather than on acquiring quantities of films on the markets. He walks us through the complexities and challenges of the Benelux, a multiple and divided territory, partly dependent on France, and speaks…

Interview with Peter Sølvsten Thomsen, Head of Distribution of Angel Films, Denmark

By Davide Abbatescianni We had the opportunity to talk to Peter Sølvsten Thomsen, Head of Distribution of Copenhagen-based production and distribution outfit Angel Films. Our conversation revolved around the company’s business strategy, its editorial policy, the peculiarities of the Danish distribution market and the challenges posed by the ongoing coronavirus pandemic.   How would you…

Interview with Christian Thomas, co-founder and CEO of Imagine Film Distribution, Benelux

By Joachim Soudan   We talked with Christian Thomas, CEO of Imagine Film about both Belgian and Dutch markets in times of the pandemic and the measures put in place in both countries. The lockdown and the rise of online platforms could have signed the death warrant for theatres, it proves above all the absolute…

Interview with Miguel Morales, Director of Wanda Vision, Spain

By Jesús Silva   We caught up with Miguel Morales, Director of Wanda Vision, who opened up about the particularities of distributing independent films in Spain. Due to a decentralised approach for tackling the Covid-19 pandemic, Spanish distributors must keep up to date on the different restrictions affecting cinemas in every region of the country,…

Interview with Irini Souganidou and Soli Beraha, Managing Director and Head of Acquisition of Feelgood Entertainment, Greece

By Joachim Soudan   We met with Irini Souganidou and Soli Beraha to talk about the Greek film market, concentrated in two main cities and dominated by multiplexes. They describe for us their most creative campaigns and tell us about the challenges and consequences of the Covid-19 pandemic, since in Greece, until now, there have…

Interview with Holger Recktenwald, CEO of mindjazz pictures, Germany

By Jesús Silva   Holger Recktenwald, CEO of Cologne-based outfit mindjazz pictures, discusses the particularities of releasing independent arthouse documentaries in Germany. One of the main challenges when working with such a specific line-up is to reach the potential audience for these titles, making it crucial to build relationships with different players and organisations. When…

Interview with Gábor Böszörményi, CEO of Mozinet, Hungary

By Joachim Soudan   Gábor Böszörményi, CEO of Mozinet talks about distributing independent European films in Hungary, describes his tasks and ideals as a publisher and the campaigns he sets up to reach the public and get his films known. Having worked for over twenty years in Hungary’s film industry, he speaks about the difficulties…

Interview with Oscar Eriksson, Head of Film Acquisitions of Folkets Bio, Sweden

By Joachim Soudan   We spoke to Folkets Bio’s Head of Acquisitions, Oscar Eriksson about the Swedish cinema market and its reaction to the pandemic, and his point of view over the importance of theatres and the curator’s work distributors do with their specific audience.   What is Folkets Bio’s editorial policy? We are currently…

Interview with Jakub Mróz, President of Tongariro Releasing, Poland

By Jesús Silva   We caught up with Jakub Mróz, President of Poland’s Tongariro Releasing, an independent distribution company specialised on LGBT films. Mróz opened up about his role as a film distributor and the recent trends in the Polish market. Thanks to a diversified business model and a strong presence online, the company managed…

Interview with Richard Mowe, Co-director of Cinéfile, United Kingdom

By Joachim Soudan   We talked to Richard Mowe, Co-Director of CinéFile, about the Covid-19 situation and how the company reacted by focussing on the VOD back-catalogue. Moreover, he describes for us his perception of the distributor’s work and speaks about further releases.   What is your company’s line up? Your editorial policy and why?…